Devi. Goddess. The ultimate energy of divine femininity. However, girls and women all across the world are taught that the biological processes that give us this energy every month are disgusting and dirty. In some parts of the world, women who are on their period are not allowed to enter places of worship or be near God. A girl is preparing in joy to visit the Mandir, or temple. But before she can take her first step inside, the priest tells her to leave and come back only when her period has finished. She is confused, how can something that is natural stop her from receiving peace and blessings from God? The blood starts coursing through her strongly. She vows to spread rivers of blood in front of every temple, until she is able to pray. Through Kathak and Tandav styles of dance I wish to tell a story that many women around the world feel every day. The stigma of periods causes women to feel "unclean" even when it is a normal and natural process of our bodies. Normalizing menstruation is one of the first steps in tapping into our divine feminine selves.
Run Time : 10 minutes
“Indian Cabaret”, takes brings dance styles that offer technique, entertainment, and a deep connection between the audience and women. The dances are on the theme of love in the modern era and have dialogue interwoven throughout. The Indian Cabaret show would have 3 components:
Mujra: The first stop in Indian Cabaret is the Mughal Era. Usually performed in “Kothas”, a dance sequence with elements of Kathak and ghazals.
Lavani: The next stop is during Shivaji’s rule (set for our purposes during a later time during the 1900s) at the Tamasha. Using classical and folk elements this part will explore Phadachi Lavani and Baithakichi (sitting) Lavani.
Item Songs: Ending with a modern-day Bollywood version of Cabaret dancing with item songs from the most classical moves. Usually influenced by Bihari rhythms and style, cabaret now has a completely new meaning.
Run Time : 30 minutes
(Lead Choreographer and Lead Artiste)
Music is Emotion, and dance, stylized story-telling! Celestia is an engaging-enticing mélange of tales told through dance in Kathak, Bharatanatyam and Contemporary styles, and Hindustani music fusions. Revel in melody and movement, and luxuriate in the aesthetics of color, form and composition! Brought to NJ and NYC audiences by Renu Foundation for the Arts.
Run Times: 100 minutes
Gurukul was invited to perform an original piece entitled ‘Samsara” at the All Indian Festival at Carnegie Hall by Three Aksha. Samsara is the story of a beautiful tree who falls victim to environmental hazards through Hindustani classical music and Kathak. Original music by Rushi Vakil and choreography by Shivani Badgi and cast of 30 dancers from Gurukul Performing Arts.
Run time : 9 minutes
Manavi Sexual Assault Awareness Month Event at the Indian Consulate in NYC. Performed two Kathak solo items of Shiva Stuti and Hope. Shiva Stuti choreographed by Guru Dr. Maya Rao and Hope choreographed by Shivani Badgi
Run Time : 10 minutes
American Cabaret originated from the French and was an entertainment show featuring dancers in a smaller venue with a seated audience. Frequently the show would feature singing, Jazz music, and even political satire. Indian cabaret has been popularized by actresses such as Helen as a unique dance style.
This version of The Indian Cabaret is different. It brings the audience Indian culture mixed with the spice of Bollywood that everyone knows and loves. We travel through time from the Tamashas of Shivaji’s rule, to the Kothas of the Mughal Era, all the way to the glittery bars of Bollywood, we promise to keep you entertained all the way.
Performed “Sita’s Ramayan as part of a Diwali event at the Philadelphia Museum of Art and FUNKAR at NYC Dance Week.
Sita's Ramayan is the result of a childhood filled with Hindu mythology and a present filled with women's empowerment. Growing up as an Indian American in the US, I listened to great stories of women in Hindu mythology, such as Sita. Sita was revered as this beautiful woman known for the devotion to her husband. After her husband, the King, is sent to exile, she goes with him because of how much she loves him. She is kidnapped by a demon king, and then again saved by her husband. This is usually where the story stopped.
However, after they return to their palace, her husband decides she is untouchable because of her kidnapping. He exiles her once more. She raises her children in the first, but one day meets him again. Before he takes her back he decides she must go through Agni Pariksha, trial by fire, to prove her purity once more. She decides, not this time.
So often Hindu mythology idolizes how quiet and devoted women were to their husbands. Through Kathak (North Indian classical art form characterized by spins, vigorous footwork, and graceful postures) dance and storytelling, I want to discover who Sita really was.
Played the lead role of the mother as part of the show Beyond Bollywood taking place at the APAP Conference.
Beyond Bollywood is a musical choreographed and directed by Rajeev Goswami, music composed by Salim-Sulaiman, and lyrics done by Irfan Siddiqui.
Performed with the reputable Bollywood Choreographer, Terence Lewis. Had the chance to share the stage during his famed piece, Teri Deewani.
Terence Lewis is and Indian dancer and choreographer known for bringing Contemporary dance to India. He has choreographed for a multitude of movies and musical albums including Lagaan and Goliyon ki Rasleela: Ramleela. He is the Founder and Director of the Terence Lewis Contemporary Dance Company in Mumbai.
Performed in the lead role of Paro from November 4th - November 20th at Theatre for a New City in New York, New York.
An old Indian story about love and loss, set in the story of a reality dance competition. Through the use of original music composed by Aalap Desai and innovative Indo-contemporary choreography by star choreographer Swarali Karulkar, Junoon Performing Arts and Hypokrit Theatre Company bring to the stage the oldest Indian love story, as its never been seen before, where women rule, and love and loss is just a transaction.
Presenting some new work for the amazing upcoming festival Tamasha NYC! I always believe in using dance to make a difference. Using a combination of my favorite styles of dance, I am speaking out on an extremely important subject, especially for us women currently in college. Look out for more information and sneak peeks! Visit their website for more information: tamashanyc.org
Performed original Kathak choreography of "Kaahe Chhede Mohe" from the movie Devdas at the Junoon Performing Arts Showcase June 2016 at Agnes Varis Center for the Performing Arts. Visit their website for more information about the company and future projects with them: junoonperformingarts.com
Performed to Deborah Wilson's jazz/heels choreography at the Broadway Dance Center Showcase in May 2016 at the Symphony Space in New York City. Visit their website for more information: broadwaydancecenter.com